Point par point includes reproductions of nine drawings
Untitled, Venice (1960) by Georgian born, French artist Vera Pagava’s and a poem by Pierre Lecuire, which he dedicated to Pagava in 1972. It also contains a selection of archival material from the Association Culturelle Vera Pagava—AC/VP and a specially commissioned Georgian rendition of
Disquiet, an essay by the Canadian author and poet, Lisa Robertson. Robertson’s compositions frequently explore concepts of philosophy, art, and language, with a distinct focus on architecture and cities. Her poetry and prose alike use architecture – as both space and structure—to navigate between conceptual thoughts and palpable existence.
Born in 1907 in Tiflis (Tbilisi), Georgia, Pagava moved to Paris in 1923. Initially, she began her career as a figurative painter, exploring a variety of mediums primarily consisting of engravings, drawings, textile design, gouache on paper, watercolors and stained glass. Pagava’s works are held in private and public collections including the National Museum of Georgia, the Centre Pompidou—National Museum of Modern Art, the Museum of Modern Art of Paris, Museum of Fine Arts of Dijon and Unterlinden Museum of Colmar. The majority of her works and archives are held and managed by the Association Culturelle Vera Pagava—AC/VP.
Editor: Nina Akhvlediani
Text: Nina Akhvlediani, Lisa Robertson, Sarah Sanders-Messmann
Graphic design: Timur Akhmetov, Sasha Kulikov
Publisher:
Kona Books
Format: 22.5 × 29 cm
Pages: 76
Language: En / Ge
Cover: Soft
Year: 2023